slumdog millionaire - second time, still maybe a Top 10, not so much a Top 5. so clearly an attack on wealth; i am a bit less disappointed with the ending as i was last time (prolly cuz i knew what was coming :p ). the memory/answer prompts don't hold up as well a second time through.
Gran Torino - are you fücking kidding? what an absolutely horrible and fantastic film! as i was walking out with a friend he said he has never been so conflicted about a film, i was thinking the same thing during the film. so much bad acting, horrible dialogue, ridiculous situations, but also genuinely good, not even (or only?) in a campy way. so tempted to toss this into my Top 5 or 10.
Citizen McCaw, so bad it doesn't have an imdb page? not really that bad, but not too good either. doc on santa barbara daily that gets bought up by a super-rich woman, McCaw. she turns the paper into her playground, hires some buddies, fires some folks she doesn't like. supposed to be the story of big-media today, and it kinda works for that. better than that, though, is the idea of folks resisting employment that they believe is unethical, quite nice from that perspective.
every year i try start keeping track of the films i experience, invariably i stop doing this by the end of feb. here's to another effort. from a couple of days ago, i don't think i noted:
Taxi to the Dark Side - amazing to see the massive amount of overlap in
Taxi with the other recent War on Terror/torture flicks:
Standard Operating Procedure,
Ghosts of Abu Ghraib, and even Winterbottom’s
The Road to Guantanamo, which i think is the best of the bunch (i liked SOP least)
The Weather Underground is fine. While it has many very strange choices going on (cuts away to ashtrays, film leader cut in for certain transitions, occasional droning soundtrack), i still think it does a good job of creating a sense of urgency that was the backdrop for the folks involved. nicely romanticizes engaged (radical) action, not unlike the efforts of
Chicago 10, another decent film in the same family. like the terror films noted above, it is also interesting to see Green and Siegel reusing much of the archival footage used by de Antonio in
Underground, while also nodding to the film by using some footage of it