The last of the play-in round:
Winter Light (Bergman, 1962) - Saragossa Manuscript (Has, 1965)
The Sound of Music (Wise, 1963) - Strangers When We Meet (Quine, 1960)
Harakiri (Kobayashi, 1962) - Seven Women (Ford, 1966)
Titicut Follies (Wiseman, 1967) - The Ladies Man (Lewis, 1961)
Fellini Satyricon (Fellini, 1969) - Empire (Warhol, 1964)
Faster, Pussycat! Kill! Kill! (Meyer, 1965) - Dog Star Man (Brakhage, 1964)
The Servant (Losey, 1963) - The Loneliness of the Long Distance Runner (Richardson, 1962)
Chronicle of a Summer (Morin + Rouch, 1961) - A Woman is a Woman (Godard, 1961)
Breakfast at Tiffany's (Edwards, 1961) - Branded to Kill (Suzuki, 1967)
A Hard Day's Night (Lester, 1964) - Diaries, Notes and Sketches (Mekas, 1969)
Vidas Secas (Dos Santos, 1963) - L'amour fou (Rivette, 1968)