Author Topic: Top 5 Movies A New Film Student HAS To See.  (Read 16611 times)

Wowser

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Top 5 Movies A New Film Student HAS To See.
« Reply #20 on: August 26, 2006, 10:51:52 AM »
Santa Claus - The Movie: deconstructs what we mean by 'cinema'. Very deep and probing film.

alexarch

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« Reply #21 on: August 26, 2006, 12:54:01 PM »
Quote from: "wowser"
Santa Claus - The Movie: deconstructs what we mean by 'cinema'. Very deep and probing film.

I take it this is a reference to yesterday's flame from "guest."  You're a funny little Brit, Wowser.  Don't let anyone tell you something different.  And I say "little" in the most loving way possible.  You're cute owl gives me the impression that you're wee.

Wowser

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« Reply #22 on: August 26, 2006, 01:07:07 PM »
Those owls don't lie, Alex  :D

Andy, yes, it was a little jobe at our pretentious, and slightly incoherent, 'Guest'.

CSSCHNEIDER

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« Reply #23 on: August 26, 2006, 07:24:40 PM »
Aww, "Guest".  --Sniff-- How I miss He/She already.  Gave the place a nice edge.
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MagnusFromBerlin

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« Reply #24 on: August 27, 2006, 07:19:19 AM »
Quote
"A Personal Journey With Martin Scorsese Through American Movies"


yes, that was the single thing i suggested for the filmspotting academy... if you're into film (and who here isn't) those are the best nearly 4 hours that you can spent....

I'm not familiar with Scorsese's "Voyage To Italy", but will definitely check that one out now...

CSSCHNEIDER

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« Reply #25 on: August 27, 2006, 08:06:54 AM »
A Personal Journey is truely remarkable.  It was more informative than my own American Cinema History class in film school.  The only thing my ACH class had on this was that we got to watch 35mm prints of all the films we were studying.  Including an original print of Kane.
Taste is discerning, not all encompassing.

It's Not What You're Like, It's What You Like

Know the Difference Between Arts and Crafts

"Pain is Temporary, Film is Forever..." --John Milius

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winrit

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« Reply #26 on: August 27, 2006, 08:29:34 PM »
Chris, I don't know if noticed, but I purposely called you out in the fantasy football thread. Are you ignoring me or are you just scared?
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facedad

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« Reply #27 on: August 30, 2006, 01:16:16 AM »
i know my explainations are long as hell, feel free to ignore them. they're only really important if you want to understand the criteria of my choices.

1) Last Year at Marienbad / L’Annee derniere a Marienbad (1961) – While very much being a prototypical “art film”, it diverts from the stigma of the art film as “pointless” or “needlessly convoluted”. Marienbad, unlike all the films that are derided for pretentious difficulty, is a film that is in fact easy to understand, just in nineteen different ways. No film displays the ability to accurately depict a particular version of a story, while depicting many, many other versions. Rather than having no truth, like Rashoman, Marienbad has every truth. Add the purposefully flawed soundtrack, the wonderful editing (Henri Colpi) and the breathtaking cinematography (that of the greatest DP in film history, Sacha Vierny), and Marienbad shows any film student that they should not limit themselves in what they wish to say.  N.B. Volker Schlondorff is the assistant director on this film.

2) La Grande illusion (1937) – Along the lines of many classic films, most aspects of Renoir’s film are perfect. The most important aspects of this film are its ability to alter the common perception of how the plot should work within the story’s framework, subverting the war genre and the way enemies relate. Also, this is the first film that I’ve found myself walk away from with little impression or comment, but noticing a lingering, intense gut feeling that this won’t leave me. Its humanistic themes and the way they pervade show filmmakers how an important thematic drive can make or break a film.

3) Eraserhead (1977) – Like Grande illusion, Eraserhead relies on the thematic drive and aura of the film. What makes it unique is its desire to make the viewer uncomfortable. It is one of the hardest films to get through, not because of shocking content (not that some of it isn’t shocking) but just because it exudes discomfort. Lynch’s debut proves that films not only need not make the audience feel good, or even entertained, but can hurt them, and be beautiful for doing so.

4) Alphaville (1965) – Godard’s film should be the first screening of any genre studies course. Alphaville is the flagship film studies film. Only in Alphaville are so many genres evoked, subverted and ridiculed. It also satirizes the art form of film through its jokingly gratuitous sexualization of women and haphazard attempt to maintain coherent set design. Alphaville is a film studying film, and it points out much of what is and is not important in film.

5) Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1976) and Les Parents terribles (1948) – These films, by Chantal Akerman and Jean Cocteau, can teach young filmmakers how the frame and the camera can control what the audience thinks and feels. Cocteau’s use of tight close-ups and two shots which are constantly invaded by a character from off screen express the claustrophobia of the main character better than the script ever could. Akerman’s film, which uses a plot where little or nothing catches your eye and the every day chores are focused upon, drags the viewer out of their desired interest and into her own. Using the focus of the camera, Akerman forces the audience to take interest in the ordinary, making the slight changes that come in the late reels more shocking than many a twist ending (even that of Jeanne Dielman). These films show the difference between a novelist and a filmmaker. Where the plot fails (even if by choice) the shot succeeds.


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sdedalus

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Top 5 Movies A New Film Student HAS To See.
« Reply #28 on: August 30, 2006, 01:54:46 AM »
Here's an attempt at a top 5:

Battleship Potemkin (Eisenstein): editing

Black Narcissus (Powell & Pressburger) or Days Of Heaven (Malick): color

Rules Of The Game (Renoir): story construction

Playtime (Tati): sound

Seven Samurai (Kurosawa): the whole enchilada
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ElectricOtter

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« Reply #29 on: September 19, 2006, 02:30:24 AM »
Just about all of the big classics have been listed, so I'll offer a more contemporary list to spice it up (in no particular order):

Lost in Translation
Pulp Fiction
Memento
Boogie Nights
Fight Club

All modern masterpieces, if you ask me.
But for now we are young, let us lay in the sun, count every beautiful thing we can see...

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