This is where I'm at now. Left off two Capra films that I wasn't sure about, and didn't control for the amount of films by any given filmmaker. No pictures either. No 21st century.
One Week (Buster Keaton + Edward F. Cline, 1920)
The Gold Rush (Charles Chaplin, 1925)
The General (Buster Keaton + Clyde Bruckman, 1926)
Sunrise (F.W. Murnau, 1927)
City Lights (Charles Chaplin, 1931)
Street Scene (King Vidor, 1931)
Young America (Frank Borzage, 1932)
Me and My Gal (Raoul Walsh, 1932)
Heroes for Sale (William A. Wellman, 1933)
A Day in the Country (Jean Renoir, 1936)
Bringing Up Baby (Howard Hawks, 1938)
Remember the Night (Mitchell Leisen, 1940)
The Palm Beach Story (Preston Sturges, 1942)
To Be or not to Be (Ernst Lubitsch, 1942)
Cabin in the Sky (Vincente Minnelli, 1943)
Great Freedom No. 7 (Helmut Käutner, 1944)
Going My Way (Leo McCarey, 1944)
Children of Paradise (Marcel Carné, 1945)
The Bells of St. Mary’s (Leo McCarey, 1945)
My Darling Clementine (John Ford, 1946)
I’ve Always Loved You (Frank Borzage, 1946)
Daisy Kenyon (Otto Preminger, 1947)
Fort Apache (John Ford, 1948)
The Pirate (Vincente Minnelli, 1948)
Portrait of Jennie (William Dieterle, 1948)
She Wore a Yellow Ribbon (John Ford, 1949)
Los Olvidados (Luis Buñuel, 1950)
The River (Jean Renoir, 1951)
Fixed Bayonets! (Samuel Fuller, 1951)
An American in Paris (Vincente Minnelli, 1951)
The Quiet Man (John Ford, 1952)
Singin’ in the Rain (Stanley Donen + Gene Kelly, 1952)
The Band Wagon (Vincente Minnelli, 1953)
The Long Gray Line (John Ford, 1955)
Princess Yang Kwei Fei (Kenji Mizoguchi, 1955)
Ludwig II (Helmut Käutner, 1955)
Floating Clouds (Mikio Naruse, 1955)
Great Day in the Morning (Jacques Tourneur, 1956)
Love in the Afternoon (Billy Wilder, 1957)
Rock-A-Bye Baby (Frank Tashlin, 1958)
Some Like It Hot (Billy Wilder, 1959)
The Apartment (Billy Wilder, 1960)
Wild River (Elia Kazan, 1960)
Breakfast at Tiffany’s (Blake Edwards, 1961)
Hatari! (Howard Hawks, 1962)
The Man Who Shot Liberty Valance (John Ford, 1962)
Donovan’s Reef (John Ford, 1963)
High and Low (Akira Kurosawa, 1963)
Three on a Couch (Jerry Lewis, 1966)
El Dorado (Howard Hawks, 1966)
A New Leaf (Elaine May, 1971)
Raphael, or the Debauched One (Michel Deville, 1971)
Mean Streets (Martin Scorsese, 1973)
Phantom of the Paradise (Brian De Palma, 1974)
Femmes Femmes (Paul Vecchiali, 1974)
Small Change (François Truffaut, 1976)
Days of Heaven (Terrence Malick, 1978)
Angel Guts: Red Classroom (Chusei Sone, 1979)
10 (Blake Edwards, 1979)
The Magnificent Butcher (Yuen Woo Ping, 1979)
L’enfant Secret (Philippe Garrel, 1979)
They All Laughed (Peter Bogdanovich, 1981)
Victor / Victoria (Blake Edwards, 1982)
Wheels on Meals (Sammo Hung, 1984)
Shanghai Blues (Tsui Hark, 1984)
Taipei Story (Edward Yang, 1985)
Lost Chapter of Snow: Passion (Shinji Somai, 1985)
Typhoon Club (Shinji Somai, 1985)
Love Hotel (Shinji Somai, 1985)
Year of the Dragon (Michael Cimino, 1985)
The Terrorizers (Edward Yang, 1986)
His Motorbike, Her Island (Nobuhiko Obayashi, 1986)
Daughter of the Nile (Hou Hsiao Hsien, 1987)
My Neighbor Totoro (Hayao Miyazaki, 1988)
Grave of the Fireflies (Isao Takahata, 1988)
Sound and Fury (Jean-Claude Brisseau, 1988)
Do the Right Thing (Spike Lee, 1989)
Kiki’s Delivery Service (Hayao Miyazaki, 1989)
The Unbelievable Truth (Hal Hartley, 1989)
Les Sièges de l'Alcazar (Luc Moullet, 1989)
Pedicab Driver (Sammo Hung, 1989)
To Sleep With Anger (Charles Burnett, 1990)
Only Yesterday (Isao Takahata, 1991)
Les amants du pont-neuf (Leos Carax, 1991)
Celine (Jean-Claude Brisseau, 1992)
Porco Rosso (Hayao Miyazaki, 1992)
A Tale of Winter (Eric Rohmer, 1992)
Carlito’s Way (Brian De Palma, 1993)
Moving (Shinji Somai, 1993)
Dangerous Game (Abel Ferrara, 1993)
Chungking Express (Wong Kar Wai, 1994)
The Bridges of Madison County (Clint Eastwood, 1995)
Heat (Michael Mann, 1995)
Whisper of the Heart (Yoshifumi Kondo, 1995)
Maborosi (Hirokazu Koreeda, 1995)
Voices Through Time (Franco Piavoli, 1996)
Comrades Almost a Love Story (Peter Chan, 1996)
Cure (Kiyoshi Kurosawa, 1997)
New Rose Hotel (Abel Ferrara, 1998)
Late August, Early September (Olivier Assayas, 1998)
And…
No Love Juice: Rustling in Bed (Yuji Tajiri, 1999)